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Written
by David Shouse, posted by blog admin
The Oklahoma based power trio KALO doesn’t exist as merely a vehicle for the band’s
powerful vocalist and guitarist Bat-Or Kalo; her band mates bassist Mack
McKinney and drummer Mike Alexander are accomplished players who add a lot to
KALO’s latest release Wild Change. The eleven song collection takes a wide,
invigorating swing through an assortment of musical styles without ever
surrendering the core sound created by three uniquely sympathetic musicians. It
must be said that the undeniable vocal presence Kalo brings to her performance,
often times varying in color and intensity, makes these songs even more
memorable, but this review’s earlier point about her collaborators is only
stressed to emphasize that this is an unit and you couldn’t switch out the
rhythm section without affecting the musical chemistry is some sort of
significant way.
The
brisk trot they conjure up for the first number, “One Mississippi”, is steeped
in blues and gets the album off to a rollicking start. Kalo really does have a
voice ideally suited for this sort of material. She keeps up the musical pace
without ever sounding like she’s straining for power or effect and the rhythm
section seems somehow inspired by her presence in the song. It’s a zesty way to
kick things off. “Isabel” is a true blues wailer with fiery lead guitar vamps
courtesy of Kalo and a muscular rhythm section attack. Her vocal is powerful
here, but in a much different way than we hear on the opener – she’s pushing
past any lingering reserve and belting this one for all she’s worth, gutting
out a wrenching vocal that’s nonetheless full of soul. “Fix” is one of the more
commercially minded guitar rock songs on Wild Change thanks, in particular, to
its memorable chorus and the rambunctious guitar lines running through the
piece. The metaphor isn’t a new one, but Kalo’s vocal owns the subject in such
a way you’ll forgive her for this light bit of unoriginality. It clearly means
something to her and should leave a mark on you too. The raunch ‘n’ groove of
the title track gives Kalo another hard-hitting platform from which she can
unleash another wicked hot vocal. The variations in her delivery in this track,
especially compared to earlier numbers, are noticeable and add some subtle strength
to this song.
“Pay
to Play” goes off in another direction entirely and whips up some tasty funk
and gritty R&B for the band’s listeners. The presence of guitar is more
diffuse in this tune than many of the earlier cuts but, when it plays a role, its
presence in the mix is undeniable. Wild Change’s penultimate number “Bad Girl”
brings listeners a final blast of blooze rock powered by a multitude of factors
but, chief among them, Kalo’s defiant and hard-edged vocal. This is a brash and
confident release with the talent to back it up and an expansive view of their
own capabilities. KALO’s reputation continues to grow with each new release and
Wild Change may prove to be that moment breaking things wide open for this
quality outfit.
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